When a Bad Take becomes accepted. Recently, I haphazardly stumbled into a Twitter debate over Peter Weir's 1989 Best Picture nominee, Dead Poets Society, and what it's ultimately trying to say in its tragic final act and subsequently rousing conclusion. The consensus, at least in the thread in which I found myself, was that Robin … Continue reading DEAD POETS SOCIETY: No, Mr. Keating is Not The Actual Villain