1917: From Afterthought to Awards Contender

The deck seemed stacked against Sam Mendes's 1917 from the get go. The trailer for the World War I thriller bared a heavy resemblance to Christopher Nolan's recent time-centric WWII thriller, Dunkirk, and the big marketing buzz focused on the fact that Mendes and legendary cinematographer Roger Deakins made the film to appear as if it were all … Continue reading 1917: From Afterthought to Awards Contender

Ignore The Bad Takes, Anna Paquin is a Crucial Part of THE IRISHMAN

The bigger the movie, it seems, the worse the think pieces. It certainly seems to be the case in 2019, with everyone able to voice their opinions on a film at a moment's notice. This fall, once the (mostly positive) Tarantino discourse died down after Once Upon a Time... in Hollywood, it was time for … Continue reading Ignore The Bad Takes, Anna Paquin is a Crucial Part of THE IRISHMAN

COP LAND, James Mangold’s Breakout Film, Only Gets Better With Age

Looking back on Cop Land, James Mangold's breakout 1997 police drama that helped fortify the Miramax stronghold on independent cinema throughout the decade, what's most striking is the cast. It's incredible. These faces and these bodies, ones of movie stars at different points in their career, seem to have gone back in time and lived as … Continue reading COP LAND, James Mangold’s Breakout Film, Only Gets Better With Age

TERMINATOR: DARK FATE Tries Hard, But it Can’t Escape the Past

For the better part of two decades, ever since its perfect farewell in 1991, studios and directors and producers and creators have been trying to reboot or continue or reimagine the Terminator franchise. Whether it's going back in time, or into the future, or frivolously fixing the present, this is the franchise that's felt tired for a … Continue reading TERMINATOR: DARK FATE Tries Hard, But it Can’t Escape the Past

THE LIGHTHOUSE: Melville Gone Mad

Out at the edge of the world, surrounded by an angry ocean, sits The Lighthouse, the subject of Robert Eggers' captivating new period horror. This titular lighthouse is rude and rickety, craggy and seemingly sinking into the wet earth around it. It's where we first meet Wake and Winslow (Willem Dafoe and Robert Pattinson), the two forlorn … Continue reading THE LIGHTHOUSE: Melville Gone Mad