Author: Larry C. Taylor

I am a nonfiction author whose first two publications cover director John McTiernan and Tony Scott, respectively. I am a self-made film historian, and I believe film is the one true art form, from the epic majesty of LAWRENCE OF ARABIA, to the heartfelt horror of midnight drive in dreck.

The Search for Authenticity: URBAN COWBOY at 40

Time and time again, in the early days of his stardom, matinee idol John Travolta used his newfound celebrity completely dismantling the idea of the matinee idol. The Irish-Italian from New Jersey with the cleft chin, the broad smile, and the endless charm, figured out a way to subvert his golden looks by diving headlong … Continue reading The Search for Authenticity: URBAN COWBOY at 40

TENET Needs to Stay Put

The scenario is too enticing to ignore: Christopher Nolan, one of the most vocal proponents of the cinema - and an outspoken fanboy of the value of the cinematic experience in general - is set to release an epic, time-bending thriller in a few weeks, in a future that is unknown, at a moment where … Continue reading TENET Needs to Stay Put

Make No Mistake, CAPONE Flirts With Greatness

SPOILERS: I plan on discussing certain elements of this movie that should be seen without any prior knowledge. There isn't much to spoil, but just be warned that I will be discussing the magic tricks that are part of this unique experience.  There is a fifteen-minute dream sequence early in the second half of Capone, Josh … Continue reading Make No Mistake, CAPONE Flirts With Greatness

Forgotten Films Archive, #1: Jonathan Glazer’s BIRTH (2004)

Once in a while a film full of stars, loaded with promise and equipped with a wide release plan, will come and go without making so much s a ripple in the zeitgeist, lost in the infinite growing back catalogue of cinema. Sometimes, these flippant dismissals are warranted; other times, they're confounding. Occasionally, but rarely, … Continue reading Forgotten Films Archive, #1: Jonathan Glazer’s BIRTH (2004)

25 Years of BAD BOYS, 25 Years of Michael Bay

It's been an interesting quarter century of action cinema. Ever since the white heat of Jean Claude Van-Damme and Steven Seagal began to cool in the mid-90s, the genre has gone through a variety of phases. For a brief moment, the end of the millennium belonged to John Woo, who brought his balletic gunplay and … Continue reading 25 Years of BAD BOYS, 25 Years of Michael Bay

NIXON is Oliver Stone’s Greatest Film

For almost a decade, by 1995, Oliver Stone had firmly secured his share of the zeitgeist as the angst-ridden, conspiracy-fueled, brilliantly bilateral cinematic voice of American politics and culture. He won his Oscars in the spring of 1987 for his Vietnam melodrama Platoon, and he'd seen acclaim and financial success in equal measure with his 1991 … Continue reading NIXON is Oliver Stone’s Greatest Film

STRAIGHT TIME, the Perfect Double Feature for UNCUT GEMS

New movies can be invigorating because they’re original, or because they’re a welcome change to the status quo, or they spring from the imagination of a thrilling new filmmaker; but even with originality, there will always be the perfect double feature pairing somewhere in cinema’s past. Every movie shares an unshakable bond with another movie, … Continue reading STRAIGHT TIME, the Perfect Double Feature for UNCUT GEMS